She has received 13 Brit Awards nominations, winning for Best British Female Artist in 1987, and has been nominated for three Grammy Awards. It also reached number 3 on the US Billboard Hot 100, and its parent album, Hounds of Love, became Bush's first album to reach the top of a Billboard albums chart.īush's eclectic musical style, unconventional lyrics, performances and literary themes have influenced a diverse range of artists. In 2022, "Running Up That Hill" received renewed attention after it appeared in the Netflix series Stranger Things, becoming Bush's second UK number one and reaching the top of several other charts. Bush drew attention again in 2014 with her concert residency Before the Dawn, her first shows since 1979's The Tour of Life. She took a hiatus between her seventh and eighth albums, The Red Shoes (1993) and Aerial (2005). Bush slowly gained artistic independence in album production and has produced all her studio albums since The Dreaming (1982). Her debut album, The Kick Inside, was released in 1978. She was signed to EMI Records after Pink Floyd guitarist David Gilmour helped produce a demo tape. She was the first British solo female artist to top the UK album charts and the first female artist to enter the album chart at number one. All ten of her studio albums reached the UK Top 10, with all but one reaching the top five, including the UK number one albums Never for Ever (1980), Hounds of Love (1985) and the greatest hits compilation The Whole Story (1986). Bush has since released 25 UK Top 40 singles, including the Top 10 hits " The Man with the Child in His Eyes", " Babooshka", " Running Up That Hill", " Don't Give Up" (a duet with Peter Gabriel), and " King of the Mountain". In 1978, at the age of 19, she topped the UK Singles Chart for four weeks with her debut single " Wuthering Heights", becoming the first female artist to achieve a UK number one with a self-written song. Catherine Bush CBE (born 30 July 1958) is an English singer, songwriter, record producer, and dancer.
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If this reminded you of yet another instance of life riffing on The Onion or Ron Swanson, you're not alone. Rather, they provide evidence that some types of morphosyntactic change, especially those related to event and argument structure, are driven by reanalysis of the feature content of functional heads under local structural ambiguity.Earlier this week a mini food scandal erupted under the following headline: "Double Stuf Oreos Don't Actually Have Double The Creme." However, unlike in other changes usually discussed under the label "cycle", unidirectional economy principles do not apply in these cases. Both changes are the result of the simultaneous availability of a stative and an eventive reading in deverbal adjectival forms and could belong to a larger "participle cycle". While the first type of change is the result of a diachronic reanalysis by which a functional projection (VoiceP) is lost, the second type adds an active Voice head. This article discusses two case studies of diachronic "voice flipping" in which the syntax of a participle appears to change from active or "subject-oriented" to passive (Ancient Greek-menos to Modern Greek-menos) and from resultative/stative to active (Proto-Indo-European *-nt- Hittite-ant-vs. These two branches, Indo-Aryan and Greek, arguably instantiate two basic types of development: a syncretic type found in many Western branches, including Greek, and an anti-syncretic type attested in some Eastern branches, in particular in Indo-Aryan. In contrast, Indo-Aryan has chosen a different, anti-syncretic, strategy of encoding detransitivizing derivational morphology, though with the middle inflection consistently preserved in passive ya-presents. Most Indo-European languages have abandoned the use of middle forms in passive patterns, while Greek is quite conservative and regularly uses middle forms as passives. We will examine the contrast between non-specialized and specialized markers of the passive in Early Vedic and Greek. The role of the middle (and stative) in the expression of the passive in ancient IE languages raises important theoretical questions and is a testing ground for the methods of syntactic reconstruction. Apart from the suffix *-i̯(e/o)- (for which we cannot reconstruct a passive function in the proto-language) and several nominal derivatives, we do not find sufficient evidence for specialized passive morphology. In Proto-Indo-European the fundamental distinction within the verbal system is between the active and middle, while specialized markers of the passive are lacking and the passive syntactic pattern is encoded with middle inflection. This article examines various aspects of the reconstruction of the passive in Proto-Indo-European (PIE), foremost on the basis of evidence from the Indo-Aryan (Early Vedic) and Greek branches. Our results confirmed Ottósson's (2013) view that the noncausal domain was systematized at a later stage than the causal one. Most remarkably, we showed that: (i) in respect to the debated issue regarding the interpretation of Gothic passives, these can be employed to express noncausal situations (ii) within the causal : noncausal alternation, whereas the causal domain is tied to ja-suffixation, the noncausal domain can be expressed by a variety of means, including na-verbs. The nature of the Gothic corpus (extension, genre, and nature of the text) influenced the results: some constructions were less frequently attested than expected genre influenced the frequency of some verbal usages some marginally attested constructions are owed to the Greek translational source. The coded group comprises the applicative, passive, causal : noncausal, reflexive, and reciprocal alternations. The uncoded group includes partitive, null object, external possessor, cognate/kindred object, applicative, (marginally) causal : non causal, and (marginally) reflexive alternations. Valency alternations are divided into uncoded and coded patterns. Our data consists of 87 verb meanings based on those in the ValPaL corpus, which we supplemented due to gaps in coverage. This paper investigates Gothic valency patterns and alternations applying the methodology of the ValPaL project. Monday 23 February 1970 The Capital Timesħ:00 - Radio Free Madison ~ Progressive rock and jazz with Johnny Winter and Peter, Paul and Mary WIBA-PM. I strongly advise that you don’t run out and buy this collector’s item unless you vomit at the sound of a Kooper Session, chuckle when you hear that this or that new young discovery has truly, “lived the blues” or feel more than a little sad when you realize that Muddy Waters can’t possibly live as long as you and I. It has not been shaped by a world of Fillmpre’s East and West, Suburban swimming pool bliss or Plastic Onos. Chicago Blues, when it comes from Chicago is, if nothing else, real. guitar is heard on five cuts, aS personnel is listed in detail, on the album jacket. There’s lots of Little Walter’s wonderfuK harmonica on this album as well as some fine work by the lesser known Big Walter Horton. All, however, are better than the pre-puberty mutterings of Johnny Winter, Jimmy Page, Jeff Beck and friends, (that goes without question) Included are Jimmy’s most well-known tune “That’s Alright” and the gem : “Walking By Myself” (recently given an interesting treatment by Paul Butterfield, one of the few REAL white bluesmen). This album (long-awaited, little of Jimmy’s work is available except for scattered cuts on Chess’s Blues Volumes series and early Waters sides) contains 14 tunes recorded between 19. He played guitar with Muddy’s band for eight years and retired to Chicago’s West side in 1959. Lane who comes to us as Jimmy Roger The liner notes tell us that Jimmy was in Chicago by 1945, soon started working with Little Walter, Sunnyland Slim and Baby Leroy Foster and joined Muddy in 1949. Leary, Francis Clay, Sam Lawhorne, George Smith and the great James A. His many bands listed personnel including Willie Dixon, Otis Spann, Fred Below, Jimmy Gotten, Little Walter, S. It is too easily forgotten that much of the music that has been miscarried upon us since them (most notably in the 60’s would not even have been given the opportunity of conception without the organ of Chicago, and that modern blues possibly wouldn’t have grown without the pioneering of Muddy Waters. All of them spent time living in Chicago’s nineteen forties and fifties Blues incubator, the birthplace of city blues. Not a child of the post-war baby-boom among them. In its vaults are recordings by Muddy Waters, Howlin’ Wolf, Sonny Boy Williamson, Chuck Berry, Bo Diddley, etc., etc. (Dig the melody behind the old “you get a lot to like with a Marlboro” ad!) Chess Records is a blues company. But, that leaves to chance the lives of far too many black musicians who still play for pennies in places like Chicago’s South and West sides, who don’t even get credit for giving America a music that infiltrates even the Pepsi Generation’s whitest of white institutions, the television commercial. Years, ago he dug the “blues” of Mildred Bailey and even Sophie Tucker, that’s ok, to each his own. White “hip” has never quite come out of the white (into the dark). Party scene anywhere hair grows long: “Yeah, I dig the blues, that Eddie Clampton really gets it on, he’s the heaviest, dynamite mother there is.” Well, how about that? That’s the blues? That’s 1969 white “hip” talkin’ to ya. Saturday 7 February Dog Races at Fitchburg: Johnny Winter Article about picks of pro players : Mickey Backer, Eric Clapton and Johnny Winter. in the dining hall, and a concert in the field house at 8:30 p.m. to approximately 4:30 p.m., a mow sculpture contest judgng and coffee house (lower evel of the college union) will be held in the afternoon followed by banquet: for couples at 6:30 p.m. 7, In addition to the first day of the sled dog races, which will be run from 10:00 a.m. Thursday 29 January 1970 Fitchburg Sentinel Guitar Player Magazine were used to have albums publicity from Columbia. Johnny was used to sell D’Addario strings : Guitar Slinger type of photo first and now a painted Johnny playing his National. Johnny had in the early 80’s a nice full page photo used as an advertisement for then starting string company Dean Markley. 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The lens does extend when zoomed (the barrel is at its shortest length around the 22mm mark), but it’s minimal and the zoom control is smooth. When you consider the focal length, stabilization and all the other features built into the lens, it's really impressive that Canon has been able to keep the weight and dimensions down to this degree. The lens is ideal for travel – armed with this and a superzoom, like the brilliant Canon RF 24-240mm f/4-6.3 IS USM (opens in new tab), you can shoot almost anything with a nearly empty kitbag. Furthermore this model has a distinct advantage: being an f/4 lens, rather than f/2.8, the weight savings are even more pronounced. The Canon RF 14-35mm f/4L suffers from this, too, but we can't really lodge it as a criticism, since it is the trend for almost all new mirrorless lenses. This doesn't affect the structural performance of the lenses, necessarily, but does strip away some of that confidence that your high-priced lens is built like a tank. While this is certainly appealing in some respects, it has meant dispensing with the all-metal build and substituting this with high-impact plastic. With Canon's L-series RF glass, however (and Nikon's S-branded pro Z-mount models), the focus has been far more on keeping weight down. Top-flight lenses used to have a truly solid feel, being crafted largely from metal, and almost always focused and zoomed internally. In many respects they are the pinnacle of high-end optical design, often outperforming their DLSR equivalents, but one area in which the manufacturers seem undecided is the build and handling experience. Today's pro mirrorless lenses are a bit of a contradiction. Weight: 540g Canon RF 14-35mm f/4L IS USM: Build and handling Stabilization: 5.5 stops (up to 7 stops with stabilized body)Įlements/construction: 16 elements in 12 groups Canon RF 14-35mm f/4L IS USM (Black) at Amazon for $1,399 (opens in new tab)Ĭanon RF 14-35mm f/4L IS USM: Specifications.Additionally, a configurable Control Ring lets you adjust exposure settings, including ISO, aperture, and exposure compensation, from the lens itself. Also, an STM motor affords impressively quiet and smooth autofocus performance and full-time manual focus override. Complementing this is a five stop-effective image stabilization, which minimizes the appearance of camera shake for sharper handheld shooting. The bright f/1.8 maximum aperture offers increased control over depth of field and also suits working in a variety of lighting conditions. Capable of focusing down to 6.7" at half life-size, this lens is ideal for photographing everything from close-ups of plants to street scenes and landscapes. An advanced optical design is benefitted by a Super Spectra coating, which helps to control flare and ghosting for greater contrast and color accuracy when working in bright or backlit conditions. Compact, lightweight, and close-focusing, the RF 35mm f/1.8 IS Macro STM from Canon is a unique wide-angle prime mixing the versatility of a general wide lens with the specialty of a 1:2 macro optic. Khuja argued that Aiyash did not know McCray had a gun. Still, the doors to the gas station were unlocked 15 seconds before McCray opened fire, she said. Patrons even offered to pay for the ice tea and doughnuts McCray is accused of attempting to steal, Posigian said. Wayne County Assistant Prosecuting Attorney Anna Posigian said Friday that patrons of the store were locked inside for almost eight minutes, despite kicking, pushing, and pulling at the doors. Worthy's office announced the involuntary manslaughter charges against the clerk Thursday evening. McCray was charged last week with first-degree murder and several other charges. Langston told the Free Press that McCray warned he would shoot every customer in the store if the doors remained locked. David Langston, 37, and another customer, 60, survived their gunshot wounds. Gregory Karlos Fortner-Kelly, 37, of Detroit, was killed. "Get the f- on," Aiyash can be heard repeatedly saying in the video while shooing patrons with his hand.īut the enraged suspect soon gunned down the three other customers inside. Video footage of the incident from behind the clerk's counter, reviewed by the Free Press, shows Aiyash had told patrons in the store to get out after unlocking the door several minutes into the dispute. Appearing before a judge via video feed from the Detroit Detention Center, looking pale and fatigued, Al-Hassan Aiyash listened quietly as a judge expressed concern over the 22-year-old gas station clerk's alleged role in a May 6 triple shooting that left one person dead and two others injured.Īiyash pleaded not guilty Friday to involuntary manslaughter two weeks after locking three patrons inside a Mobil gas station on McNichols Road near the Lodge Freeway with the suspected gunman, Samuel Anthony McCray, 27, during an argument over less than $4.Īiyash had locked the doors electronically in an attempt to prevent theft, and he eventually did unlock the doors, but Wayne County Prosecutor Kym Worthy said he did so too late, without telling anyone. Unless you are absolutely sure the email is genuine, from a trusted source, delete the email. Once enabled, macro malware can infect multiple files. 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I haven't been a full-time student for quite some time, so most of my reading is fiction and nonfiction books that interest me. Interface tools like these would have made my life as a student much easier, and they make devices like the Libra H2O more attractive as a studying device rather than just a place to store and read all your digital textbooks and reference materials. These were some of the features I wish I had when I was in college, but that would have meant that e-readers or tablets were as ubiquitous as they are today when I was in college, and that just wasn't the case. In addition, the scrubber adds dots to the book's timeline that represent highlights and annotations, letting you easily hop to different points in the book where you marked something important. Kobo also made it easier to see all your annotations at once in a new menu. While I don't think anyone would want to read ahead in their fiction books, the feature will come in handy when reading nonfiction, reference, or textbooks in which you're constantly "flipping" back and forth to remind yourself of concepts already read. Those with Kobo Forma or Libra H2O devices (and decent eyesight) could feasibly read those smaller pages in their entirety thanks to the size of their device's screens and how much space the feature takes up as a whole. But Kobo added some extra tools that readers can use while they're neck-deep in a book to help increase their reading comprehension, or at least that's the idea behind Kobo's "reading for understanding" strategy. A new "e-reading interface" doesn't mean that the pages of your digital books will look wildly different-on the contrary, they look quite the same. These updates are more important than the addition of the Libra H2O to Kobo's e-reader lineup because the entire device family will be receiving the new reading interface in future software updates. Helping you read betterĮven if its hardware is solid yet ultimately familiar, the Libra H2O shows off Kobo's new e-reading interface well. I don't like that the Libra H2O charges via microUSB, but we'll probably be waiting a while longer before e-reader manufacturers care enough to make the switch to USB-C (if they ever care to at all). I also like that I don't have to charge the Libra H2O for weeks on end-that's not unique to this device, but it's a unique feature that E Ink e-readers have that I still gush over. I like how comfortable the upturned side-chin is to hold with one hand, I like the convenience of the page-turn buttons, and I like how quickly the E Ink touchscreen switches from portrait to landscape orientation when I flip the device. I've used both, and the experience is nearly identical in terms of physicality. So if you liked the Forma's design, you'll probably like the Libra H2O. But those minor spec differences don't change the fact that the Libra H2O is basically the Forma's slightly smaller sibling. In contrast to the Forma, the Libra H2O comes with 8GB of storage (the Forma has 32GB) and it doesn't use Mobius screen technology, which gives the Forma's display more durability. Further Reading Kobo Forma review: A formidable opponent for Amazon’s Kindle OasisĪt 6.7oz, the Libra H2O is also a hair lighter than the Forma, and it comes in both black and white color configurations. In no particular order, here are the best pop bands of all time. Taylor Swift had the biggest album of the period with a surprise indie-folk LP, radio records were broken by The Weeknd (sure) and 24kGoldn and iann dior (more surprising), and Nicki Minaj finally. So, stop rehearsing that pretentious rant about industry sell-outs that you’ve been slotting for your first post-quarantine party, and just let yourself enjoy some good pop music for God’s sake. The only requisite to making the cut? Topping the charts. Illustration: Guardian Design David Levene Mark Horton/Getty Matthew Baker Alongside. From rock and roll adjacent pop bands like The Beatles, to Motown greats like The Supremes, R&B/pop crossovers like Destiny’s Child, and disco-influenced pop acts like ABBA, the variety of pop bands knows no bounds. The 20 best songs of 2022 (From left) Karen O of Yeah Yeah Yeahs, Steve Lacy and Megan Thee Stallion. When it comes to pop bands, we’re basically just looking at collectives of hit-makers, no matter their pop purity or crossover creed. And, though our perception of the genre has evolved over time to become its own entity-marked by catchy melodies, unforgettable choruses, and rather saccharine lyrics-pop music, as it stands, is still just… popular music. A pop star doesn’t have to dance to captivate an audience, but it’s definitely a bonus. In simple terms, pop music is literally… popular music. We want to know which female pop act you consider to be the best dancer in the industry. And, although a rock and roll fan might swear off pop as a genre, the distinction isn’t as cookie-cutter clear as it seems. Compton’s latest star Roddy Ricch emerged seemingly out of nowhere as a dominant force, with his single The Box picking up over 455 million streams worldwide and topping Apple Music charts in 37 countries. It’s right up there with “indie” being liberally applied to any unsigned, signed, underground, or mainstream artist who sings in cursive. The year 2020 was unlike any other, to say the leastso it makes sense that new faces had an unusually outsized impact across the world. Vote up the 2020 pop stars who are dominating the charts, and add your favorites if they're missing from the list.Let’s cut to the chorus: “Pop music” is a very subjective genre description. Inspiring and motivating typographic lyrics from musicians and bands that will put a. Who are the hottest pop artists right now? What good pop artists do you think will define 2020's pop music landscape? The best advice quotes from pop songs on beautifully designed products. Who are the top pop artists of 2020? Who's defining pop music today?īoth American artists and musicians from elsewhere in the world are eligible for inclusion, as long as they are among the best and/or biggest names of the modern day. Solo artists and pop groups, like the Jonas Brothers and Maroon 5, are all releasing some of the latest hits in the industry, and are therefore included here. Only including popular artists releasing new music right now, this list of current pop singers and musicians features new pop artists to watch in 2020 and rising stars, like Lauv and Charli XCX, as well as the most famous, constantly-trending hit singers, like Lady Gaga and The Weeknd. Here are the best pop artists of 2020, ranked by fans everywhere. Update: Follow Ranker's official New Pop 2020 playlist on Spotify! American International Pictures and Titra Sound Corporation suggested changes to Bava during filming to make the film palatable for American audiences, and created their own English-language version of the film, which replaced Roberto Nicolosi's score with music by Les Baxter, removed several depictions of graphic violence and made alterations to other scenes. The film is credited to various writers, including Anton Chekov and Aleksey Tolstoy, but is predominantly based on several uncredited sources, and changes were made to the script after filming commenced. The third story, "The Drop of Water", is centered on Helen Corey (Jacqueline Pierreux), a nurse who steals a ring from a corpse that is being prepared for burial and finds herself haunted by the ring's original owner after arriving home.īeing a low-budget horror film with multiple stories, an international cast and foreign financial backing, Black Sabbath follows numerous trends of 1960s Italian film productions. The second is "The Wurdulak", where a man named Gorca (Karloff) returns to his family after claiming to have slain a Wurdulak, an undead creature who attacks those that it had once loved. In the original, Italian print, the first story, titled "The Telephone", involves Rosy ( Michèle Mercier) who continually receives threatening telephone calls from an unseen stalker. The order in which the stories are presented varies among the different versions in which the film has been released. Black Sabbath (Italian: I tre volti della paura English: The Three Faces of Fear) is a 1963 Italian anthology horror film directed by Mario Bava and starring Boris Karloff. |